ention by profound culture details and nationality characteristic. But since planar, three-dimensional animation and computer cartoon technique came into being recently, Chinese cartoon material has been narrower and narrower, imitated Japan and American cartoon pattern blindly, and Chinese cartoon get into low ebb. How to excavate and organize China brilliant culture to be used in cartoon art is the linchpin, and from organized material to technique are concerned subject for cartoon operators. This article is discussing that cartoon creation headspring is China traditional culture and popular art, culture communication of cartoon, summarizing direction and means of material, dissertating the connection between popular art and cartoon and culture communication, in order to call cartoon operators to excavate and organize cartoon material deeply, to advance China cartoon film level.
Keywords: cartoon film, creation material, excavation, integration
作者简介：
朱晓菊(1962-),女,江西萍乡人，湖南工业大学包装设计学院教授,硕士生导师，从事影视媒体艺术研究.
彭建祥（1972—），男，山东济南人，湖南工业大学包装设计学院硕士研究生，讲师。从事影视动画创作研究。
本文为湖南省教育厅2005年科研立项项目《玩具设计理论及其应用》，项目编号05C653 上一页 [1] [2] [3]
|
站长：